Suspended Sediments | Shift Window, 312 S Washington St, Seattle
Suspended Sediments | Shift Window, 312 S Washington St, Seattle

Suspended Sediments includes three abstract seascapes—two small paintings on stretched linen and one oversized hanging paper collage—all of which embody the dynamic energy of water and sediment moving together, reshaping the contours of Puget Sound waterways.

My working methodologies in this group of paintings are inspired by geological processes, such as river morphology, and the transformations brought on by human restoration projects to remedy related issues. The conveyance of sediment by tidal flow can significantly reshape a water body, where it moved to and where it came from.

Midway into my creative process, I remove select collaged geometric shapes from my work (in the case of the oversized suspended painting), and I gesturally mask areas with brush strokes to disrupt the initial congruent flow of and the harmony between the overall painting and its individual units. This upset in order forces me to see the work anew. It introduces unforeseen chance alignments and new vibrations of color, line, and shape to respond to.

My painting aesthetic and philosophy is influenced by the meditative art of East Asian brush painting and calligraphy. In my practice, the act of adding a brush stroke simultaneously defines the space around it and its relationship with neighboring strokes. I work on the paintings until I achieve a formal balance between all of the elements and the work begins to tread somewhere between the act of being and becoming, in a seemingly transformative state.

Suspended Sediments, detail
Suspended Sediments, detail
Suspended Sediments
Suspended Sediments

acrylic ink and low solvent, archival spray paint on 100% cotton paper
72x31.5 inches
2021
$2,600

Between the Moon and the Sun
Between the Moon and the Sun

acrylic ink and low solvent, archival spray paint on 100% cotton paper
15x24.75 inches
2021
framed
$825

In the Golden Hour
In the Golden Hour

acrylic ink and low solvent, archival spray paint on 100% cotton paper
15.75x28.25 inches
2021
framed
$975

Hope Island Currents (Skagit Bay)
Hope Island Currents (Skagit Bay)

acrylic ink and low solvent, archival spray paint on paper
4x10.375 inches
2021
SOLD

Meander I
Meander I

low solvent, archival spray paint on 100% cotton paper
11x15 inches
2021
NFS

Solar Noon
Solar Noon

acrylic ink and low solvent, archival spray paint on 100% cotton paper
3.75x3.75 inches
2021
$40

Alluvial Stream
Alluvial Stream

low solvent, archival spray paint on 100% cotton paper
3.75x5.5 inches
2021
$45

Tidal Surge
Tidal Surge

acrylic ink and low solvent, archival spray paint on 100% cotton paper
4x11.75 inches
2021
SOLD

Glacial Drift
Glacial Drift

acrylic ink and low solvent, archival spray paint on 100% cotton paper
8x8 inches
2021
$100

Suspended Sediments | Shift Window, 312 S Washington St, Seattle
Suspended Sediments, detail
Suspended Sediments
Between the Moon and the Sun
In the Golden Hour
Hope Island Currents (Skagit Bay)
Meander I
Solar Noon
Alluvial Stream
Tidal Surge
Glacial Drift
Suspended Sediments | Shift Window, 312 S Washington St, Seattle

Suspended Sediments includes three abstract seascapes—two small paintings on stretched linen and one oversized hanging paper collage—all of which embody the dynamic energy of water and sediment moving together, reshaping the contours of Puget Sound waterways.

My working methodologies in this group of paintings are inspired by geological processes, such as river morphology, and the transformations brought on by human restoration projects to remedy related issues. The conveyance of sediment by tidal flow can significantly reshape a water body, where it moved to and where it came from.

Midway into my creative process, I remove select collaged geometric shapes from my work (in the case of the oversized suspended painting), and I gesturally mask areas with brush strokes to disrupt the initial congruent flow of and the harmony between the overall painting and its individual units. This upset in order forces me to see the work anew. It introduces unforeseen chance alignments and new vibrations of color, line, and shape to respond to.

My painting aesthetic and philosophy is influenced by the meditative art of East Asian brush painting and calligraphy. In my practice, the act of adding a brush stroke simultaneously defines the space around it and its relationship with neighboring strokes. I work on the paintings until I achieve a formal balance between all of the elements and the work begins to tread somewhere between the act of being and becoming, in a seemingly transformative state.

Suspended Sediments, detail
Suspended Sediments

acrylic ink and low solvent, archival spray paint on 100% cotton paper
72x31.5 inches
2021
$2,600

Between the Moon and the Sun

acrylic ink and low solvent, archival spray paint on 100% cotton paper
15x24.75 inches
2021
framed
$825

In the Golden Hour

acrylic ink and low solvent, archival spray paint on 100% cotton paper
15.75x28.25 inches
2021
framed
$975

Hope Island Currents (Skagit Bay)

acrylic ink and low solvent, archival spray paint on paper
4x10.375 inches
2021
SOLD

Meander I

low solvent, archival spray paint on 100% cotton paper
11x15 inches
2021
NFS

Solar Noon

acrylic ink and low solvent, archival spray paint on 100% cotton paper
3.75x3.75 inches
2021
$40

Alluvial Stream

low solvent, archival spray paint on 100% cotton paper
3.75x5.5 inches
2021
$45

Tidal Surge

acrylic ink and low solvent, archival spray paint on 100% cotton paper
4x11.75 inches
2021
SOLD

Glacial Drift

acrylic ink and low solvent, archival spray paint on 100% cotton paper
8x8 inches
2021
$100

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